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Macbeth by William Shakespeare
How is this book unique?

Tablet and e-reader formatted

Original & Unabridged Edition

Author Biography included

Illustrated version

Macbeth (full title The Tragedy of Macbeth) is a tragedy written by William Shakespeare, and is considered one of his darkest and most powerful works. Set in Scotland, the play illustrates the damaging physical and psychological effects of political ambition on those who seek power for its own sake. The play is believed to have been written between 1599 and 1606, and is most commonly dated 1606. The earliest account of a performance of what was probably Shakespeare's play is the Summer of 1606, when Simon Forman recorded seeing such a play at the Globe Theatre. It was first published in the Folio of 1623, possibly from a prompt book. It was most likely written during the reign of James I, who had been James VI of Scotland before he succeeded to the English throne in 1603. James was a patron of Shakespeare's acting company, and of all the plays Shakespeare wrote during James's reign, Macbeth most clearly reflects the playwright's relationship with the sovereign.

• Sales Rank: #1959701 in eBooks
• Published on: 2016-01-25
• Released on: 2016-01-25
• Format: Kindle eBook

Amazon.com Review
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

From Publishers Weekly
Starred Review. First published in 1890 in Lippincott's Monthly Magazine and the following year in novel form, The Picture of Dorian Gray categorically changed Victorian Britain and the landscape of literature. An ostentatious, self-confessed aesthete, known for his wit and intellect, Wilde not only had to endure his prose being labeled "poisonous" and "vulgar," but also suffer its use as evidence in the ensuing trial, resulting in his eventual imprisonment for crimes of "gross indecency." Frankel's introduction provides a deft preliminary analysis of the novel itself—exploring etymology and extensive editorial alterations (both accidental and deliberate)—and offers valuable insight into the socio-cultural juxtaposition of aristocratic Victorian society and the London underworld. The original typescript provides the unique opportunity to examine what was considered acceptable in both the US and UK at the time. Intriguing annotations allude to Wilde's influences and enterprising range of reference, incorporating art, poetry, literature, Greek mythology, philosophy, and fashion (certain to inspire further reading; an appendix is provided). Comparisons are drawn between Dorian Gray and Wilde's other literary output, as well as to the work of Walter Pater. Numerous illustrations subtly compliment Frankelÿs inferences. A fine contextualization of a major work of fiction profoundly interpreted, ultimately riveting. (Mar.)

From School Library Journal
Grade 10 Up-"The Whole Story" format provides illustrations and annotations to the classic text. Ross's lively and sophisticated cartoons add interest, and historical information helps readers place the novel in proper context and gives insight into its characters. The problem with this attractive, glossy layout, however, is that the text and the quotes pulled from it are not always on the same page. Further, some illustrations and notations visually cut into the narrative and may distract readers. For example, a drawing appears on the first page along with the passage, "In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty," but that quote does not appear until the second page of the story. Useful as a supplement to the original novel, but not a replacement for it.
Karen Hoth, Marathon Middle/High School, FL
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

70 of 72 people found the following review helpful.
No need to avoid Shakespeare anymore
By David E. Levine
I consider myself to be a reasonably literate individual but, I have always avoided Shakespeare since I cannot make sense of the text. But now, I have fianally read Macbeth because, with "No Fear Shakespeare," each left hand page is written in the original whereas the right hand page is a plain English translation. So now I know, that when a porter says "it makes him stand to and not stand to," he is not referring about someone standing up on his feet. Instead, it means that alcoholic drinks make a man have an erection but then, lose the erection. How true is that and how cool is it to be able to understand that? Seriously, Macbeth is a great tale of ambition, deception and conscience. Thanks to this innovative book, I was able to read the original, then, after reading each page, I referred to the translation so I could understand. It was fun to read lines in the original, try to work out what I thought it meant and then check whether I was right. I recommend this as a way finally read and appreciate Macbeth.

60 of 62 people found the following review helpful.
Suits our needs
By A Customer
I won't even attempt to critique Shakespeare's work, as some have done here. I'm not reviewing MacBeth, but this particular version of it. As a homeschooling Mom with three highschool students, the only way we could get through Shakespeare's works is by having a copy of Shakespeare Made Easy on hand. As it is, we completed 5 plays this year - all done orally, with each of us taking several parts. While I think it's important that my kids read Shakespeare in it's original format (and they did), I had the Shakespeare Made Easy translation handy so that I could give simple, concise explanations whenever they just didn't "get it". I recommend these books for that purpose - not for the watered down versions of these classics, but to make them understandable to the average student who might otherwise find Shakespeare's works boring and a waste of time (as many students do).

46 of 48 people found the following review helpful.
Best Yet!
By D. Durkee
I've been playing this in a regular senior English class. Many of the students are finally understanding the play. The actors in this cd do a wonderful job interpreting their lines. The Scottish accents are well done. Sound effects make it vivid. It's the best production I've found to date.

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[V145.Ebook] Download Ebook Georges Perrier Le Bec-fin Recipes, by George Perrier, Aliza Green

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An upscale user-friendly collection of some of Le Bec-Fin's most famous haute-cusine dishes as well as some newer recipes. 120 recipes for both classic French cusine and Bistro cooking are contained in this book.

• Sales Rank: #676305 in Books
• Brand: Running Press
• Published on: 1997-09-23
• Original language: English
• Number of items: 1
• Dimensions: .97" h x 9.66" w x 11.30" l, 3.10 pounds
• Binding: Hardcover
• 224 pages

Features

• Used Book in Good Condition

About the Author
Aliza Green is the author of five successful cookbooks, beginning with her authorial partnership with French chef Georges Perrier on Le Bec-Fin Recipes. She also co-authored ¡Ceviche!: Seafood, Salads, and Cocktails with a Latino Twist with chef Guillermo Piernot, which won a James Beard Award for “Best Single Subject Cookbook.” Beans: More than 200 Delicious, Wholesome Recipes from Around the World, appeared as one of The New York Times’ top cookbooks of the year. She has also authored Field Guide to Meat and Field Guide to Produce. Green’s food columns and articles appear in a variety of local and national newspapers and magazines, including in Fine Cooking, Prevention, Philadelphia Magazine, the Philadelphia Inquirer, Philadelphia Daily News, and The National Culinary Review. She has conducted numerous cooking classes, had many television appearances, including NBC’s Today Show, and radio interviews, and is a highly reputed television and print food stylist.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Long Live King George's Recipes!
By Bookaholic
Cookbook is a welcomed addition to my collection. We loved eating at Le Bec Fin and miss the quality and presentation of Perrier's dishes. Well written, clear instructions, and little tricks and/or ideas to improve recipes. After visiting France recently and ate simple and delicious dishes, I value King George's book even more.

8 of 8 people found the following review helpful.
Fantastic meals
By Sekhmet2
This is one of the best cookbooks I own. I have often dined at Le Bec Fin and there is simply no comparison in Philadelphia. As far as the cookbook, I routinely prepare the Poached Turkey recipe (always to raving reviews), the Scalloped Potato recipe and the Lobster Bisque recipe for holiday dinners. The Lobster bisque is absolutely fantastic and the best I have ever tasted and it came from my very own kitchen. Tres bien!!

Over the years, I have made many of the recipes and, even though they can be somewhat complicated sometimes, the results are just superior. This is truly a special cookbook. I own at least 75 other cookbooks and this is one of my favorites that I go back to year-after-year.

7 of 8 people found the following review helpful.
One of the better star chef/restaurant cookbooks
By Michael A. Duvernois
A lot of these star chef with brilliant restaurant cookbooks fall flat when you actually try to cook, at home, from them. This one is a success though. Clear recipes with good cooking instructions and ideas dominate the book. The organization is clear. The photography is both helpful and enticing.

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[E386.Ebook] Ebook Free The Last Unicorn, by Peter S. Beagle

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The 30th anniversary of a fantasy classic from Peter S. Beagle!

• Sales Rank: #11544 in Books
• Brand: Roc Trade
• Published on: 1991-01-01
• Released on: 1991-01-01
• Ingredients: Example Ingredients
• Format: Unabridged
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .60" w x 5.40" l, .45 pounds
• Binding: Paperback
• 304 pages

Features

• Great product!

Amazon.com Review
The Last Unicorn is one of the true classics of fantasy, ranking with Tolkien's The Hobbit, Le Guin's Earthsea Trilogy, and Lewis Carroll's Alice in Wonderland. Beagle writes a shimmering prose-poetry, the voice of fairy tales and childhood:

The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.

The unicorn discovers that she is the last unicorn in the world, and sets off to find the others. She meets Schmendrick the Magician--whose magic seldom works, and never as he intended--when he rescues her from Mommy Fortuna's Midnight Carnival, where only some of the mythical beasts displayed are illusions. They are joined by Molly Grue, who believes in legends despite her experiences with a Robin Hood wannabe and his unmerry men. Ahead wait King Haggard and his Red Bull, who banished unicorns from the land.

This is a book no fantasy reader should miss; Beagle argues brilliantly the need for magic in our lives and the folly of forgetting to dream. --Nona Vero

From Publishers Weekly
Since it was first published in 1968, Beagle's beloved fantasy novel has been made into a stage play and a film—and now this gorgeous, emotive graphic novel adaptation. Set in a fully realized but slightly tongue-in-cheek fantasy world that has inspired everything from The Princess Bride to Stardust, Beagle's story is a romantic fable about a regal unicorn who leaves the forest she has protected since time immemorial to find more of her kin. After a short spell of imprisonment by a witch's traveling circus, she journeys onward with an accident-prone magician, hoping to find the answer to her quest in the land of a coldhearted king and a monstrously fearsome red bull. Along the way, the unicorn and her good-hearted but hapless companion have many encounters, including one with a Robin Hood–esque group of bandits who seem dropped in from a Monty Python skit. Beagle's sumptuously descriptive writing, adapted ably by Gillis, casts a spell throughout, while De Liz's glowing, painterly artwork meshes perfectly with the haunting otherworldly beauty of the story. (Feb.)
(c) Copyright PWxyz, LLC. All rights reserved.

About the Author
Peter S. Beagle, a World Fantasy Award nominee, is the bestselling author of the fantasy classic The Last Unicorn as well as many other highly acclaimed works. His novels and stories have been translated into sixteen languages worldwide, and his long and fascinating career has covered everything from journalism and stage adaptations to songwriting and performances. He has given readings, lectures, and concerts of his own songs from coast to coast, and has written several screenplays, including Ralph Bakshi's film version of The Lord of the Rings.

Most helpful customer reviews

283 of 295 people found the following review helpful.
The Post-Modern Fairy Tale
By mp
Along with the rest of the civilized world, my wandering memories often lead me back to two of my favorite childhood movies, "The Neverending Story" and "The Last Unicorn." Practically all I could remember of the latter was some skull yelling "Unicorn! Uuuunicorn!" That image and that voice have left a lingering discomfort in the back of my mind for years. A while back, I found a little time to investigate Michael Ende's novel, "The Neverending Story," and just recently, I managed to come across a copy of "The Last Unicorn," and I couldn't help but read it. In both cases, these novels have more than repayed my childhood memories, giving my adult mind philosophical and literary substance as well as real joy. Peter S. Beagle's 1968 novel, "The Last Unicorn," is much more than a simple fantasy story - though it is rife with magicians, mythical creatures, and all of the customary trappings. It is even more than a complex fantasy story - somehow Beagle enchants us into a timeless place where nothing seems unusual - "The Last Unicorn" creates a space for magic in our modern lives.
The novel begins as a unicorn overhears two hunters riding through her wood - the hunters debate whether unicorns exist anymore. The unicorn begins to wonder if indeed she is the last of her kind, and goes in search of other unicorns. She is caught sleeping by Mommy Fortuna, owner of the Midnight Carnival, who displays the unicorn for a time alongside a real harpy and a motley bunch of meek, hopeless animals who are made, through Fortuna's magic, to resemble other dangerous mythical beasts for the entertainment of travellers, tourists, and townsfolk. Schmendrick, a fairly useless magician, and an assistant to the Midnight Carnival, recognizes the unicorn for what she is, and freeing her, they set off together to find the unicorns. Once they are joined by a woodland dweller named Molly Grue, the company is complete. Their search brings them to the domain of King Haggard, who, along with the demoniacal, but eerily incorporeal Red Bull, seems to have something to do with the disappearance of the unicorns.
Though the novel is a quest, there isn't much real movement - the novel moves from the unicorn's wood, over land to Haggard's castle by the sea, which is where almost half of the novel takes place. The more significant quests here are ones of self-discovery, as the unicorn, Schmendrick, and Prince Lir, King Haggard's heir, must all try to figure out who they are, what they want to be, and how to accomplish their goals without being consumed by existential despair. Related questions the novel poses include speculations on the nature of the hero, on the metafictional nature of the fairy tale as a genre, and what the difference is between evil and self-interest, between love and hatred. "The Last Unicorn" is also a rumination on the nature of interpersonal (or interspecies) relationships, and is in spots as concerned with ecology and the environment as J.R.R. Tolkien's "Lord of the Rings."
However, far and away, the most compelling facets of "The Last Unicorn" for me are Beagle's minor touches, minutiae that some people might miss on a first reading. Seemingly meaningless conversations, like the one between the hunters which begins the novel, between Captain Cully and his disaffected latter-day Robin Hoods in the forest, or between a 'married' pair of blue jays betray a depth and attention to detail and a real artistry in Beagle's literary workmanship. They alert us, as certainly as Tolkien's work does, to the fact that we, the novel's readers, live in a prosaic world, divested of magic and enchantments. Beagle's novel shows that creating, living in, and sustaining a fantasy world can be as much work, and can involve as much pain as our own normal daily lives. Indeed, one amazing quality of "The Last Unicorn" is that it hardly differentiates between the normal modern world and that of the fairy tale. One reviewer mentions that the novel takes place in the Middle Ages - is it at all astonishing then, to hear Cully at one point mention the "field-recordings" that will one day be made of his oral poetry while he himself eats a taco?
"The Last Unicorn" has endured for almost 40 years because it manages to imbue things like "field-recordings" with a kind of magical quality that seems as natural as talking birds and butterflies. Beagle also reminds us that we are each heroes of our own stories - whether we stick to the literary conventions of genre or not. The inclusion of subtle anachronisms and metafictional commentaries like these clues us to Beagle's art - the creation of a new kind of fairy tale, one which attempts to make our own world, our own lives, sources of almost limitless wonder and joy, as well as of continuing epic challenges.

127 of 135 people found the following review helpful.
A story of wit and charm, immeasurable beauty and emotion.
By Kikyo C.
The Last Unicorn is one of most astounding books I have ever read. Not only because of the story, which is a fairytale in every sense of the word, but also because of Beagle's flawless writing, which weaves a spell of words and images that I find myself willingly ensnared in every time I open its pages. I find myself lingering over each sentence, each word, and I am astounded by the care with which he tells this tale.
Once upon a time, there was a unicorn. A beautiful unicorn... who was all alone. She sets out on a journey to seek others of her kind and is joined on her travels by a bumbling magician and an old spinster, neither of who are what they first appear to be. Encountering magical monsters, outlaws and suspicious townspeople, the three travelers find themselves at the gate of a forbidding castle wherein lives a cruel king and a gentle prince. It is in the walls of this castle that the truth lies. But can they accept what the truth will bring?
Beagle tells an amazing tale, of love and loss, of heartache and hope. Each of the characters in his work has such life and depth, and I see myself in each and every one of them. From an inept magician who desperately seeks to be more than what he is to the outlaws who cry out with loss of that which they have never known, there is so much life in these few short pages that I find myself reading and rereading each page, afraid lest I miss something. When Schmendrick cries, "I'll make you into a bad poet with dreams!" I want to laugh, but at the same time I want to cry with pity, with unexplainable sorrow for something I can't quite understand and am not sure I want to.
The Last Unicorn is about more than just a quest for unicorns. It is also a story about the things that we love and what we will do - or not do - for that love. It is about what really defines a hero, and what constitutes a happy ending. But most of all, it is about magic. Joy. Sadness. Beauty. It is about all the things we are and all the things we long to be. It is a breathtakingly beautiful story by a wonderful writer, and I recommend it as one of the best books I have ever read.

83 of 87 people found the following review helpful.
"The Last Unicorn" comic: a long-time fan's review
By M. Natisin
If you're contemplating purchasing the comic adaptation of "The Last Unicorn" , chances are that this will not be your first foray into the world created by Peter S. Beagle in his best-known novel. In "The Last Unicorn", a unicorn discovers that she is the last of her kind and sets out on a quest to discover that has become of her kin. If you're like me, you've read the book and watched the movie, and so as a fan you might wonder what this newest incarnation of the story has to offer.

The Last Unicorn comic gathers the 6 separate issues released by IDW publishing into one full color hard-cover volume. From a purely aesthetic standpoint the book design is impeccable, with violet foil lettering on front and back and a classy layout. The six chapters that make up the book are separated by pages that sport the same illustrations that were featured on the covers of the respective single comic issues.

There is immediately something a little more "grown up" about the comic adaptation as opposed to the animated movie. Renae de Liz's style may have much to do with this. Her illustrations tend more toward stylized realism than the far more soft, cartoony style employed in the movie. Ray Dillon's colors are atmospheric and brooding. Characters such as the Harpy Celaeno, Mommy Fortuna, Ruhk and King Haggard are actually frightening to look at in the comic version, while their movie versions are a little more approachable. For those comfortable with the representations of characters such as the unicorn (Lady Amalthea), Schmendrick and Molly Grue shown in the 80's animated movie, the character designs of the comic certainly pay homage to those designs.

What is particularly enjoyable about this adaptation is that plot points and scenes that were in the original novel but omitted from the movie have been included in the comic. There is a magician mentor named Nikos, who turned a male unicorn into a human. As in the novel, Schmendrick is cursed with youth, a side note that never made it into the animated feature. There is a city named Hagsgate again, and Arachne is back in Mommy Fortuna's Midnight Carnival as is "Elli". There is even a single page that alludes to the "blue bird" scene from the novel (in which a pair of married blue birds argue over whether or not the husband bird actually saw a unicorn).

The extras at the end of the book include interviews of both Peters S. Beagle and Peter Gillis, the man who adapted The Last Unicorn into a comic book format. There is a small art gallery in the back that features pieces by guest artists and small thumbnails of the six "alternate" comic book covers done by Frank Stockton. There are also half-page images taken directly from the comic (with the text bubbles removed) so that one may admire the layout of some very beautifully designed pages. These are often too small for my liking, but they are nice "extras".

The comic is *almost* a complete triumph. I say almost because there is one omission that really should have made it into the comic. Once again, King Haggard's four aged men-at-arms are mentioned only in passing dialogue. Much like in the animated movie, the characters are never seen and their small arc and subsequent return to youth is cut from the story. In his interview at the end of the comic, even Peter Gillis laments that these characters were once more cut out of the story due to page restrictions. Truly, it would have made this adaptation even more special to have this rather important plot point addressed in the comic book, even more so because it is left out of the movie. Other slight problems had to do with the panel pacing toward the end and the clunky descriptive text during the battle with the Red Bull. There was an over-use of sentences starting with "And..." that started to feel very redundant. But I feel for the illustrator, who doubtlessly had a challenge shoving as much as possible onto the small amount of additional pages that were added. The page-limit on the comic was reached before the completion of the series. A total of 12 extra pages had to be added... and paid for out-of-pocket--not by IDW.

For fans, the comic is invaluable and does both the novel and the movie justice while offering strengths that are individual to the comic adaptation. It is a generally faithful retelling, obviously drawn and translated from the novel by people who truly cared about the story and the quality of the art. If you are fond of the novel, the movie or both, the graphic novel will be a welcome addition to your collection. Enjoy!

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In this practical guide, CSS expert Lea Verou provides 47 undocumented techniques and tips to help intermediate-to advanced CSS developers devise elegant solutions to a wide range of everyday web design problems.

Rather than focus on design, CSS Secrets shows you how to solve problems with code. You'll learn how to apply Lea's analytical approach to practically every CSS problem you face to attain DRY, maintainable, flexible, lightweight, and standards-compliant results.

Inspired by her popular talks at over 60 international web development conferences, Lea Verou provides a wealth of information for topics including:

• Backgrounds and Borders
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• Visual Effects
• Typography
• User Experience
• Structure and Layout
• Transitions and Animations

• Sales Rank: #27440 in Books
• Brand: Verou, Lea
• Published on: 2015-07-03
• Original language: English
• Number of items: 1
• Dimensions: 9.70" h x .80" w x 7.90" l, .0 pounds
• Binding: Paperback
• 392 pages

About the Author

Lea Verou is an Invited Expert in the W3C CSS Working Group, the committee that designs the CSS language, and previously worked as a Developer Advocate at the W3C, the Web's main standards organization. Currently, Lea conducts research in Human-Computer Interaction at the Massachusetts Institute of Technology (MIT). She also blogs, speaks at international conferences, and codes popular open source projects to help fellow developers.

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71 of 76 people found the following review helpful.
Aang = air bending. Katara = water bending. Lea = CSS bending.
By Vicente d'Avila Melo Sarmento
Right. So you are on your own... thinking... "Hey! I know CSS! Selectors, pseudo stuff and everything..."
And as a good CSSer that you are, you keep studying to keep improving, isn't that right? Good.

Then, one day, you find that one of your beloved masters, Lea Verou, wrote a book with some css secrets. And you think: "Cool. Secrets from her! I may find a thing or two to learn".

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I hope that the world will see more books from Lea Verou very soon.

Cheers to a true CSS bender.

18 of 18 people found the following review helpful.
and the way it is written allows for its encyclopedic contents to be read like a novel— each secret getting better and better
By Irfan Mir
I have read some CSS books and they're all the same. Very encyclopedia. The colour, liveliness, and the way it is written allows for its encyclopedic contents to be read like a novel— each secret getting better and better.

Ever want to figure out how to do something on the web that you seen that looks really nifty? This book will either tell you how to do it or give you the building-blocks to figure it out for yourself

14 of 14 people found the following review helpful.
A must-read for web designers and developers
By Adrian H.
Absolutely fantastic. A must-read for web designers and front-end developers. It's packed with actionable ideas and techniques, many of which I'd never seen before. (Context: I've been a web developer since 1999ish, co-created the Django web framework and have been wrestling with CSS for 15 years or so.)

Each chapter presents a specific web design "problem," along with a CSS solution (and sometimes multiple solutions). Some are simple, others are quite complex. Many are quite clever and will make you think of CSS differently. It's well-written and beautifully designed, with full-color pages and tons of informative footnotes.

The best part is that Lea talks through her thought process in developing each technique, "teaching a man to fish." In that sense, this book is great on two levels: it'll teach you specific techniques, and it'll teach you how to think when developing your *own* techniques for future web design problems.

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• Sales Rank: #115417 in Books
• Published on: 2013-01-22
• Original language: English
• Dimensions: 11.20" h x 1.30" w x 8.80" l, .0 pounds
• Binding: Hardcover
• 816 pages

About the Author
Jackson J. Spielvogel is Associate Professor Emeritus of History at The Pennsylvania State University. He received his Ph.D. from The Ohio State University, where he specialized in Reformation history under Harold J. Grimm. His articles and reviews have appeared in journals such as Moreana, Journal of General Education, Catholic Historical Review, Archiv fur Reformationsgeschichte, and American Historical Review. He also has contributed chapters or articles to THE SOCIAL HISTORY OF THE REFORMATION, THE HOLY ROMAN EMPIRE: A DICTIONARY HANDBOOK, the SIMON WIESENTHAL CENTER ANNUAL OF HOLOCAUST STUDIES, and UTOPIAN STUDIES. His work has been supported by fellowships from the Fulbright Foundation and the Foundation for Reformation Research. At Penn State, he helped inaugurate the Western Civilization course, as well as a popular course on Nazi Germany. His book HITLER AND NAZI GERMANY was published in 1987 (7th Edition, 2014). He is the author of WESTERN CIVILIZATION, first published in 1991 (9th Edition, 2015), and the coauthor (with William Duiker) of WORLD HISTORY, first published in 1994 (8th Edition, 2016). Professor Spielvogel has won five major university-wide teaching awards. During the year 1988?1989, he held the Penn State Teaching Fellowship, the university's most prestigious teaching award. In 1996, he won the Dean Arthur Ray Warnock Award for Outstanding Faculty member, and in 2000 received the Schreyer Honors College Excellence in Teaching Award.

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2 of 2 people found the following review helpful.
An extremely well-wriiten history book
By SK
I have never posted a review on a text book even though I have ordered hundreds of them over the years; however, this particular book is written extremely well. Both of my youngest daughters are using it in their middle school social studies classes and when I placed the order, I assumed that this would be like the other history texts from the past - wordy and boring for tweens and young teens. Although the material spans centuries of early world history, it is well-written and concise and it conveys surprisingly detailed information in relatively few pages. Not only do I enjoy reading it, but my youngest daughter wants to read it in its entirety, too, this summer (her class will only cover one fifth to one quarter of the book at best). There is also a study guide that accompanies the book which we also purchased.

0 of 0 people found the following review helpful.
Five Stars
By Walker
Book in excellent condition

0 of 0 people found the following review helpful.
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By busymom
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Elizabeth Barrett Browning (1806-61) was the first major woman poet in the English literary tradition. Her significance has been obscured in this century by her erasure from most literary histories and her exclusion from academic anthologies. Dorothy Mermin's critical and biographical study argues for Barrett Browning's originative role in both the Victorian poetic tradition and the development of women's literature.

Barrett Browning's place at the wellhead of a new female tradition remains the single most important fact about her in terms of literary history, and it was central to her self-consciousness as a poet. Mermin's study shows that Barrett Browning's anomalous situation was constantly present to her imagination and that questions of gender shaped almost everything she wrote. Mermin argues that Barrett Browning's poetry covertly inspects and dismantles the barriers set in her path by gender and that in her major works—Sonnets from the Portuguese, Aurora Leigh, her best political poems, "A Musical Instrument"—difficulty is turned into triumph, incorporating the author's femininity, her situation as a woman poet, and her increasingly substantial fame.

Mermin skillfully interweaves biography and close readings of the poems to show precisely how Barrett Browning's life as a woman writer is a part of the essential meaning of her art. Both her personal and her literary achievements are exceptionally well documented, especially for her formative years. Mermin makes extensive use of the poet's early essays, a diary covering most of her twenty-sixth year, and the enormous number of letters that have survived. Ranging from her earliest ambitions through her long periods of discouragement and illness to her happy married life with Robert Browning, this comprehensive study of Elizabeth Barrett Browning is essential reading for students of the Victorian period, English literature, and women's studies.

• Sales Rank: #2669143 in Books
• Published on: 1989-12-07
• Original language: English
• Number of items: 1
• Dimensions: 8.97" h x .70" w x 6.03" l, .95 pounds
• Binding: Paperback
• 326 pages

From Library Journal
In this, the first thorough treatment in nearly 30 years, Barrett Browning emerges as a poet fully worthy of serious critical attention today. While primarily concerned with texts, Mermin makes extensive use of biography in her examination of the poet's early work. She views Barrett Browning's career as a struggle to "find woman's place in the central tradition of poetry." To justify her subject's role as "foremother" to the major Victorian poets, Mermin pays close attention to the ballads, sonnet sequence, and political poems, giving lengthy treatment to Aurora Leigh as a major 19th-century feminist document. A welcome regard for poetics demonstrates that the poetry is drenched in images of maternity, sexuality, and death. Recommended for all academic collections and larger public libraries.
- Barbara J. Dunlap, City Coll., CUNY
Copyright 1989 Reed Business Information, Inc.

From the Back Cover
Mermin's study shows that Barrett Browning's anomalous situation was constantly present to her imagination and that questions of gender shaped almost everything she wrote.

About the Author
Dorothy Mermin is professor in and chair of the Department of English at Cornell University.

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